Joao Rodrigues sailed from Portugal to Japan in 1577, and there entered the Jesuit novitiate and was ordained priest. He met Toyotomi Hideyoshi, the virtual ruler of Japan, in 1591, and from that time became the missionaries' spokesman in dealings with Japanese authorities. He was also involved in negotiations concerning the bulk sale of Chinese silk in Japan, and commercial and political rivalries led to his eventual expulsion from the country in 1610. Rodrigues spent the rest of his life in Macao and the interior of China, dying in 1633. Renowned for his fluency in spoken Japanese, Rodrigues earned a place in the history of Japanese-European cultural relations by publishing a Portuguese grammar of the Japanese language (Nagasaki, 1604-1608), followed by a revised edition (Macao, 1620). Both works provide valuable information about Japanese spoken in the early 17th century. Rodrigues also provided the draft used as a basis for the official history of the Christian mission in Japan. To set this work in context he composed two books on various aspects of Japanese life - geography, customs, clothing, science, architecture, art, and, above all, the tea ceremony. The present volume provides annotated translations of these two books, together with an introduction assessing Rodrigues's contribution to the understanding of Japanese life and culture in the early 17th century.

Felix Mendelssohn Bartholdy: A Research and Information Guide is a valuable tool for any scholar, performer, or music student interested in accessing the most pertinent resources on the life, works, and cultural context of the composer. It is an updated, annotated bibliography of resources on the biographical, musical, and religious aspects of Mendelssohn's life.

Goethe's Faust, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century, hashad a seminal impact in musical realms. That Goethe's poetry has proved pivotal for the development of the nineteenth-century Lied has long been acknowledged. Less acknowledged is the seminal impact in musical realms of Goethe's Faust, a work which has attractedthe attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century. While Goethe longed to have Faust set to musicand considered only Mozart and perhaps Meyerbeer as being equal to the task, by the end of his life he had abandoned hope that he would live to witness a musical setting of his text. Despite this, a floodtide of musical interpretations of Goethe's Faust came into existence from Beethoven to Schubert, Schumann to Wagner and Mahler, and Gounod to Berlioz; and a broad trajectory can be traced from Zelter's colourful description of the first setting ofGoethe's Faust to Alfred Schnittke's Faust opera (1993). This book explores the musical origins of Goethe's Faust and the musical dimensions of its legacy. It uncovers the musical furore caused by Goethe's Faust and considers why his polemical text has resonated so strongly with composers. Bringing together leading musicologists and Germanists, the book addresses a wide range of issues including reception history, the performative challenges of writing music for Faust, the impact of the legend on composers' conceptual thinking, and the ways in which it has been used by composers to engage with other contemporary intellectual concepts. Constituting the richest examination to date of the musicality of language and form in Goethe's Faust and its musical rendering from the eighteenth to twenty-first centuries, the book will appeal to music, literary and Goethe scholars and students alike. LORRAINE BYRNE BODLEY is Senior Lecturer in Musicology at Maynooth University and President of the Society for Musicology in Ireland. Contributors: Mark Austin, Lorraine Byrne Bodley, NicholasBoyle, John Michael Cooper, Siobhan Donovan, Osman Durrani, Mark Fitzgerald, John Guthrie, Heather Hadlock, Julian Horton, Ursula Kramer, Waltraud Meierhofer, Eftychia Papanikolaou, David Robb, Christopher Ruth, Glenn Stanley, Martin Swales, J. M. Tudor

This book serves as an introduction to the Cretaceous geology and palaeontology of south-central Africa, covering the whole of Southern and Eastern Africa and Angola. Fifty two plates illustrate almost 1000 species and provide a field guide to the macrofossils of the subcontinent. The book will be of value to field geologists, students and non-specialists with an interest in the natural world. A bibliography of the Cretaceous palaeontology and stratigraphy of the subcontinent is provided. Features: Provides a concise account of the Cretaceous geology for 13 African regions Includes beautiful illustrations and a comprehensive bibliography Fossils are presented in stratigraphical order, allowing easy determination of the age deposits.

Robert Hooke (1635-1703) was a genius whose wide-ranging achievements are at last receiving the recognition that they deserve. Long overshadowed by such eminent contemporaries as Sir Isaac Newton and Sir Christopher Wren, Hooke's own seminal contributions to science, architecture and technology are now being acclaimed in their own right. Curator of Experiments to the Royal Society when it was chartered in 1662 and author of the famous Micrographia (1665), Hooke also showed unparalleled ingenuity in designing machines and instruments, and played a crucial role as Surveyor to the City of London after the Great Fire. This volume represents a benchmark in the study of Hooke, bringing together a comprehensive set of studies of different aspects of his life, thought and artistry. Its sections deal with Hooke's life and reputation; his contributions to celestial mechanics and astronomy, and to speculative natural philosophy; the instruments that he designed; and his work in architecture and construction. The introduction places the studies in the context of our current understanding of Hooke and his milieu, while the book also contains a comprehensive bibliography. In all, it will be an invaluable resource for all those interested in a figure whose complexity and importance are becoming clear after centuries of neglect.

The first in-depth study of Mendelssohn's two settings of Goethe's Die erste Walpurgisnacht, in the context of scenes from Goethe's Faust and other works. This paperback edition of Mendelssohn, Goethe, and the Walpurgis Night addresses tolerance and acceptance in the face of cultural, political, and religious strife. Its point of departure is the Walpurgis Night. The Night, also known as Beltane or May Eve, was supposedly an annual witches' Sabbath that centered around the Brocken, the highest peak of the Harz Mountains. After exploring how a notoriously pagan celebration came to be named after the Christian missionary St. Walpurgis (ca. 710-79), John Michael Cooper discusses the Night's treatments in several closely interwoven works by Goethe and Mendelssohn. His book situates those works in their immediate personal andprofessional contexts, as well as among treatments by a wide array of other artists, philosophers, and political thinkers, including Voltaire, Lessing, Shelley, Heine, Delacroix, and Berlioz. In an age of decisive political and religious conflict, Walpurgis Night became a heathen muse: a source of spiritual inspiration that was neither specifically Christian, nor Jewish, nor Muslim. And Mendelssohn's and Goethe's engagements with it offer new insightsinto its role in European cultural history, as well as into issues of political, religious, and social identity -- and the relations between cultural groups -- in today's world. John Michael Cooper is Professor of Music at Southwestern University and author of Mendelssohn's "Italian" Symphony (Oxford University Press).

Whether they are called creation myths or origin stories, children love these highly imaginative tales of the origins of people, animals and the natural world. This anthology features 14 such tales, with a focus on the animals, people and breathtaking natural beauty of Africa. It includes the San people of Southern Africa’s striking story of how the stars and Milky Way were formed, as well as tales explaining how hippopotamus came to live in the water, how Jackal got his black saddle, how Hyena got his characteristic limping gait, and more.

This book serves as an introduction to the Cretaceous geology and palaeontology of south-central Africa, covering the whole of Southern and Eastern Africa and Angola. Fifty two plates illustrate almost 1000 species and provide a field guide to the macrofossils of the subcontinent. The book will be of value to field geologists, students and non-specialists with an interest in the natural world. A bibliography of the Cretaceous palaeontology and stratigraphy of the subcontinent is provided. Features: Provides a concise account of the Cretaceous geology for 13 African regions Includes beautiful illustrations and a comprehensive bibliography Fossils are presented in stratigraphical order, allowing easy determination of the age deposits.